Results for “abandoned”

A young man sits casually on the edge of a white marble staircase inside an old, distressed building with peeling blue walls, ornate details and a damaged ceiling. The setting feels vintage and abandoned.Shot from a slightly low frontal angle with a 28-35mm lens, showing both him and the surrounding architecture.His legs hang from the ledge as he looks down, adjusting the strap of a black shoulder bag.He wears a black baseball cap, a loose off-white graphic tee with a yellow smiley face, dark denim pants, white socks, and white sneakers, giving a relaxed streetwear vibe. Soft natural daylight enters through open windows, adding contrast to the worn interior.The composition blends casual urban fashion with the aged historic location, creating a clean, modern editorial feel. Keep my face 100% match as in the reference image

CREATE AN ULTRA-REALISTIC CINEMATIC FULL-BODY FASHION PHOTOGRAPH BASED EXACTLY ON THE UPLOADED REFERENCE IMAGE.PRESERVE THE PERSON'S EXACT FACIAL FEATURES, FACE SHAPE, SKIN TONE, BODY PROPORTIONS, HEIGHT, PHYSIQUE, HAIRSTYLE, POSE, AND OVERALL IDENTITY. DO NOT BEAUTIFY, RESHAPE, SLIM, ENLARGE, OR ALTER THE PERSON. MAINTAIN THE EXACT POSITION AND SCALE OF THE SUBJECT WITHIN THE FRAME.THE YOUNG SOUTH ASIAN MAN IS WEARING AN OVERSIZED BLACK BUTTON-UP SHIRT WITH SUBTLE SILVER STUD DETAILING ALONG THE COLLAR AND SHOULDERS, PAIRED WITH EXTREMELY LOOSE, WIDE-LEG BLACK TROUSERS. HE WEARS STYLISH BLACK SUNGLASSES, A THIN LAYERED METALLIC NECKLACE, A BRACELET/WATCH ON THE WRIST, AND DARK SHOES.POSE: THE SUBJECT IS STANDING CASUALLY AGAINST THE FRONT/SIDE OF AN OLD ABANDONED CAR, WITH ONE LEG RAISED AND BENT AT THE KNEE WHILE THE OTHER LEG REMAINS STRAIGHT ON THE GROUND. ONE HAND RESTS NATURALLY NEAR THE TROUSER POCKET/WAIST AREA WHILE THE OTHER ARM HANGS RELAXED. KEEP THE EXACT POSE AND BODY ORIENTATION FROM THE REFERENCE.HAIR: THICK, NATURALLY WAVY, VOLUMINOUS BLACK HAIR WITH REALISTIC INDIVIDUAL STRANDS AND SLIGHTLY MESSY TEXTURE, FALLING NATURALLY AROUND THE FOREHEAD, EARS, AND NECK.SCENE: AN EXTREMELY WEATHERED VINTAGE CAR COVERED IN DUST, DIRT, OXIDATION, PEELING PAINT, SCRATCHES, DENTS, RUST, FADED WINDOWS, AND DAMAGED BODY PANELS. THE CAR SHOULD LOOK GENUINELY ABANDONED AND AGED, WITH NATURAL VEGETATION GROWING AROUND ITS WHEELS AND FRONT BUMPER.<BACKGROUND: UND: A GRITTY OLD URBAN RESIDENTIAL STRUCTURE WITH FADED TURQUOISE/GREEN WALLS, > LARGE DARK WOODEN DOORS, A HEAVILY WEATHERED CORRUGATED METAL ROOF, EXPOSED PIPES, OLD CONSTRUCTION MATERIALS, DUST, GRIME, AND AUTHENTIC SIGNS OF DECAY. KEEP THE ENVIRONMENT DETAILED BUT NATURALLY IMPERFECT.GROUND: UNEVEN GRASSY AREA WITH SMALL PLANTS, WEEDS, PATCHES OF DIRT, SCATTERED DEBRIS, AND SUBTLE MOISTURE/MUDDY AREAS.LIGHTING: SOFT OVERCAST NATURAL DAYLIGHT, REALISTIC AMBIENT SHADOWS, SUBTLE CINEMATIC CONTRAST, SLIGHTLY MUTED EARTHY TONES, AUTHENTIC SKIN TEXTURE, REALISTIC FABRIC FOLDS, DETAILED HAIR STRANDS, NATURAL REFLECTIONS ON SUNGLASSES, AND PHYSICALLY ACCURATE SHADOWS.PHOTOGRAPHY: HIGH-END EDITORIAL STREET-FASHION PHOTOGRAPHY, ULTRA-REALISTIC DSLR QUALITY, 50MM LENS, EYE-LEVEL CAMERA PERSPECTIVE, SHALLOW BUT NATURAL DEPTH OF FIELD, CRISP SUBJECT DETAILS, REALISTIC BACKGROUND SEPARATION, CINEMATIC COLOR GRADING, SUBTLE FILM TEXTURE, NO ARTIFICIAL HDR LOOK.COMPOSITION: VERTICAL FULL-BODY PORTRAIT, APPROXIMATELY 4:5 ASPECT RATIO. KEEP THE SUBJECT, CAR, BACKGROUND ARCHITECTURE, FRAMING, CAMERA ANGLE, AND OVERALL COMPOSITION EXTREMELY CLOSE TO THE REFERENCE IMAGE. @THEDHIRAJJ_NEGATIVE PROMPT: ALTERED FACE, DIFFERENT IDENTITY, CHANGED FACIAL STRUCTURE, BEAUTIFIED FACE, BODY RESHAPING, TALLER PERSON, SHORTER PERSON, MUSCULAR BODY, SKINNY BODY, CHANGED POSE, EXTRA FINGERS, DEFORMED HANDS, DISTORTED LIMBS, DUPLICATE BODY PARTS, UNREALISTIC HAIR, PLASTIC SKIN, EXCESSIVE SKIN SMOOTHING, CGI APPEARANCE, ARTIFICIAL LIGHTING, OVERSATURATED COLORS, CARTOON, ANIME, ILLUSTRATION, BLURRY FACE, LOW RESOLUTION.

CREATE AN ULTRA-REALISTIC CINEMATIC FULL-BODY FASHION PHOTOGRAPH BASED EXACTLY ON THE UPLOADED REFERENCE IMAGE.PRESERVE THE PERSON'S EXACT FACIAL FEATURES, FACE SHAPE, SKIN TONE, BODY PROPORTIONS, HEIGHT, PHYSIQUE, HAIRSTYLE, POSE, AND OVERALL IDENTITY. DO NOT BEAUTIFY, RESHAPE, SLIM, ENLARGE, OR ALTER THE PERSON. MAINTAIN THE EXACT POSITION AND SCALE OF THE SUBJECT WITHIN THE FRAME.THE YOUNG SOUTH ASIAN MAN IS WEARING AN OVERSIZED BLACK BUTTON-UP SHIRT WITH SUBTLE SILVER STUD DETAILING ALONG THE COLLAR AND SHOULDERS, PAIRED WITH EXTREMELY LOOSE, WIDE-LEG BLACK TROUSERS. HE WEARS STYLISH BLACK SUNGLASSES, A THIN LAYERED METALLIC NECKLACE, A BRACELET/WATCH ON THE WRIST, AND DARK SHOES.POSE: THE SUBJECT IS STANDING CASUALLY AGAINST THE FRONT/SIDE OF AN OLD ABANDONED CAR, WITH ONE LEG RAISED AND BENT AT THE KNEE WHILE THE OTHER LEG REMAINS STRAIGHT ON THE GROUND. ONE HAND RESTS NATURALLY NEAR THE TROUSER POCKET/WAIST AREA WHILE THE OTHER ARM HANGS RELAXED. KEEP THE EXACT POSE AND BODY ORIENTATION FROM THE REFERENCE.HAIR: THICK, NATURALLY WAVY, VOLUMINOUS BLACK HAIR WITH REALISTIC INDIVIDUAL STRANDS AND SLIGHTLY MESSY TEXTURE, FALLING NATURALLY AROUND THE FOREHEAD, EARS, AND NECK.SCENE: AN EXTREMELY WEATHERED VINTAGE CAR COVERED IN DUST, DIRT, OXIDATION, PEELING PAINT, SCRATCHES, DENTS, RUST, FADED WINDOWS, AND DAMAGED BODY PANELS. THE CAR SHOULD LOOK GENUINELY ABANDONED AND AGED, WITH NATURAL VEGETATION GROWING AROUND ITS WHEELS AND FRONT BUMPER.<BACKGROUND: UND: A GRITTY OLD URBAN RESIDENTIAL STRUCTURE WITH FADED TURQUOISE/GREEN WALLS, > LARGE DARK WOODEN DOORS, A HEAVILY WEATHERED CORRUGATED METAL ROOF, EXPOSED PIPES, OLD CONSTRUCTION MATERIALS, DUST, GRIME, AND AUTHENTIC SIGNS OF DECAY. KEEP THE ENVIRONMENT DETAILED BUT NATURALLY IMPERFECT.GROUND: UNEVEN GRASSY AREA WITH SMALL PLANTS, WEEDS, PATCHES OF DIRT, SCATTERED DEBRIS, AND SUBTLE MOISTURE/MUDDY AREAS.LIGHTING: SOFT OVERCAST NATURAL DAYLIGHT, REALISTIC AMBIENT SHADOWS, SUBTLE CINEMATIC CONTRAST, SLIGHTLY MUTED EARTHY TONES, AUTHENTIC SKIN TEXTURE, REALISTIC FABRIC FOLDS, DETAILED HAIR STRANDS, NATURAL REFLECTIONS ON SUNGLASSES, AND PHYSICALLY ACCURATE SHADOWS.PHOTOGRAPHY: HIGH-END EDITORIAL STREET-FASHION PHOTOGRAPHY, ULTRA-REALISTIC DSLR QUALITY, 50MM LENS, EYE-LEVEL CAMERA PERSPECTIVE, SHALLOW BUT NATURAL DEPTH OF FIELD, CRISP SUBJECT DETAILS, REALISTIC BACKGROUND SEPARATION, CINEMATIC COLOR GRADING, SUBTLE FILM TEXTURE, NO ARTIFICIAL HDR LOOK.COMPOSITION: VERTICAL FULL-BODY PORTRAIT, APPROXIMATELY 4:5 ASPECT RATIO. KEEP THE SUBJECT, CAR, BACKGROUND ARCHITECTURE, FRAMING, CAMERA ANGLE, AND OVERALL COMPOSITION EXTREMELY CLOSE TO THE REFERENCE IMAGE. @THEDHIRAJJ_NEGATIVE PROMPT: ALTERED FACE, DIFFERENT IDENTITY, CHANGED FACIAL STRUCTURE, BEAUTIFIED FACE, BODY RESHAPING, TALLER PERSON, SHORTER PERSON, MUSCULAR BODY, SKINNY BODY, CHANGED POSE, EXTRA FINGERS, DEFORMED HANDS, DISTORTED LIMBS, DUPLICATE BODY PARTS, UNREALISTIC HAIR, PLASTIC SKIN, EXCESSIVE SKIN SMOOTHING, CGI APPEARANCE, ARTIFICIAL LIGHTING, OVERSATURATED COLORS, CARTOON, ANIME, ILLUSTRATION, BLURRY FACE, LOW RESOLUTION.

Ultra-realistic selfie of a man standing in a bold action-ready pose, legs slightly apart, body turned at a slight angle, one hand raised forward as if controlling energy, while the other hand rests on his bomber jacket. He's wearing a retro Hawkins High Tigers hoodie underneath the jacket.Pose: Standing together with Eleven, Mike Wheeler, Dustin Henderson, Lucas Sinclair, Will Byers, and Max Mayfield, all displaying fierce, alert expressions their eyes.Background: Set in a "Stranger Things" style underground bunker - rusty metal walls, glowing warning lights, exposed cables, scattered tools, abandoned lab equipment, red emergency beacons, and swirling Upside-Down particles drifting through the air.Lighting & Ambiance: Dim, moody lighting with strong shadows and a mysterious blue-red ambiance, capturing the Stranger Things aesthetic.Camera Angle: Intense close-up selfie with strong fish-eye distortion, enhancing depth and realism.

cinematographic, leading lines, vanishing point, Arri Alexa 35, wide angle lens, shot on-tripod, 1/160s, f/5.6, ISO 12800, natural color grade with heavy emphasis on the orange hues, endless underground terminal, a deeper level of the backrooms, a claustrophobic, infinite underground transit station, based on the backrooms concept, abandoned urban decay, decaying infrastructure, multiple rows of corroded metal benches, cracked tiled floor with strange liquid pools, rows of overhead signs like C3, C4 with increasingly illegible, distorted lettering as they recede into the distance, a lone, distant figure, predominant, buzzing sodium-vapor lamps casting an oppressive orange glow, mixed with flickering, cold fluorescent lights, high contrast shadows, peeling yellow paint on the walls, visible dust motes dancing in the light, a single, flickering bulb far down the corridor, the atmosphere is heavy and silent, text on signs: "EXIT" with small, unsettling, liminal space, deep depth of field --chaos 25 --ar 9:16 --raw --stylize 180

​A cinematic, hyper-photorealistic photo of the military operator "Ghost", rendered with extreme, naturalistic detail, in a heavily snow-covered Arctic environment. Close-up on Ghost, whose iconic skull-face mask is intricately detailed with frost and ice accumulated in the crevices. He wears highly weathered arctic-pattern camouflage tactical gear, with layered textures, and a helmet with multiple night vision optical tubes that are turned off. Snow is actively falling, with visible flakes clinging to his shoulders, helmet, and tactical vest. His eyes are visible beneath the dark lenses of his goggles, focused and piercing, looking off-camera. His gloved hands hold a heavily wrapped, ice-covered assault rifle with an active, cold blue laser sight beam slandering through the falling snow and illuminating the textured ground. Ghost is positioned on a rugged, frozen ridge overlooking an abandoned, ice-entombed former military outpost in a vast mountain range. The architecture is composed of weathered, concrete and brick buildings covered in a deep blanket of snow. The lighting is cold ambient twilight, with a distant, weak floodlight casting a soft, blue-white beam that illuminates the snowfall. The atmosphere is tense and isolated. The textures are incredibly detailed: frozen metal on equipment, weathered fabric, and the delicate frost on the mask. Shallow depth of field focuses on Ghost's upper body and the gun, with a softly blurred, snowy landscape background. The photo is 8k, ultra-high resolution, with a documentary-style, realistic film grain.

beauty, Street fashion full body photo of a 24-year-old Danish-Bavarian female playful comedian with a warm and inviting expression. She has Fair skin with a light flush, especially in cold weather or after exercise. The skin pores and texture are clearly visible and in focus. Her Rounded trapezoid eyes, Fiery, bright red eyes, framed by long, elegant eyelashes. Her haircut is Shaggy pixie, haircolor is . Her eyebrows are Full and feathery shaped, complementing her delicate facial features. Her body is Visible ribcage with a subtle, defined curve, small breast, toned abs, Female Bodybuilding style. Her upper body clothing is Two-tone cropped jacket with bold graphics and zippers. Her midriff is clearly visible, Her lower body clothing is Low-rise cargo shorts with utility straps. She is positioned on the left side in the frame by the rule of thirds. She poses with both hands raised above her head, leaning slightly to one side, creating an energetic and fun atmosphere.. In the background Abandoned steel mill with rusting machinery. The scene is lighted using Bright, white light in a minimalist urban setting, emphasizing clean lines and modern fabrics for a chic, sophisticated fashion look.. the model is lighted with soft natural lighting. in the style of Aitor Throup

grainy film photo of a vase shaped to mimic abandoned lighthouse standing on island washed by stormy ocean waves,dull and moody eerie light low contrast, attention-grabbing composition of vase shaped as lighted lighthouse with flowers

(masterpiece Illustration, best quality:1.2) Style of shan shui, Ruins of a (Lost Buddhist Temple:1.1), East Asian Architecture, (High atop a fog covered mountain:1.2), Snow , Abandoned, Ethereal, mystical, haunted, overgrown vegetation, Sunrise , Scattered Light, Cinematic Scene, Atmospheric Mist, Volumetric lighting, scenery, ink, water, trees , <lora:ink-0.1-3-b28-bf16-D128-A1-1-ep64-768-DAdaptation-cosine:1.0>, <lora:add_detail:0.8>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5),

wide shot , a portrait image (full body shot) of girl, full shot, row photo, with gracefully under blurry background soft golden sunlight. long hair, wearing exposes her midriff, slim waist, thin thighs, demand melancholic beautiful face (cooper hair) , long hair, wearing exposes her midriff, slim waist, thin thighs, morning sky, posing in a abandoned

This is a hyper-realistic photo of Liv Tyler with a striking, intense expression. She has fair skin and wavy, shoulder-length brown hair styled in soft curls. Her eyes are a piercing blue, accentuated with dark eyeliner and bold, red lipstick that matches the red accent on her black lace dress. The dress is high-necked with puffed sleeves and intricate lace patterns, adding a gothic, Victorian aesthetic to her appearance. Her expression is serious, almost stern, with a slight upward tilt of her head, giving her an air of authority. The background is blurred, but hints at a misty, foggy outdoor setting, possibly a graveyard or an abandoned, misty forest, which enhances the dark, mysterious atmosphere of the image. The lighting is soft, with a slight glow that highlights her features and the texture of her lace dress. The overall style of the illustration is realistic with a touch of hyperrealism, capturing fine details such as the fabric texture of the dress and the delicate lace patterns. The image evokes a sense of depth and emotion, making it a powerful and evocative piece of art.

It seems like you've provided a detailed description or script for a movie clip featuring a noir-style detective woman from the 1940s. The description emphasizes elements like: - **Visual Style**: Black and white film stock with high contrast and grain, reminiscent of 1940s noir cinema. - **Character Description**: The detective woman is described as the most beautiful in the world, with specific details such as long, shiny hair, dark reflective eyes, smoky eyeliner, dark lipstick, and shiny lips. She wears a black 1940s fedora and a long trenchcoat, typical of the noir detective style. - **Setting**: A 1940s American city street, characterized by heavy rain, mist, fog, and dust particles, under dramatic lighting conditions including chiaroscuro and rim lighting. - **Visual Techniques**: Close-ups and extreme close-ups are used to highlight details like facial features, makeup, and clothing. - **Photographic Techniques**: Black and white photography with shallow depth of field and bokeh effects from street lights. This description sets a vivid scene for a classic noir detective film, focusing heavily on visual style, character appearance, and atmospheric details.In an ancient world where legends and honor intertwine, you are Hana, a renowned samurai with a cursed katana that brings power and danger. Ancestral tattoos cover her body, each one telling a story of battles won and trials overcome. Today, under the crimson twilight, you face a challenge that could change the fate of your clan. The night breeze whispers through the cherry blossom leaves as you stand silently in the abandoned Akaishi Ronin dojo. Shadows dance around you, reflecting the determination in your eyes. The katana in her hand, forged in secret by the artisans of Black Mountain, pulses with a dark energy that echoes her own spirit. Outside, beyond the cracked wooden gates, the enemy prepares. A renegade ronin, a shadow of the past with a burning desire for revenge against his lord. Your heart beats in unison with the sound of distant drums, announcing the inevitable confrontation. Between the swing of the blades and the shine of the moon on your tattoos, you decide: the battle is not just for victory, but for the balance between duty and the legacy you carry. The cursed katana cuts through the air with the promise of glory or doom as you prepare to face your destiny under the stars.

"A dramatic and moody scene set in an abandoned urban area at night. A lone figure sits on a broken concrete bench, wearing a dark hoodie and jeans, exuding a sense of introspection and mystery. The figure is silhouetted against a backdrop of graffiti-covered walls and shattered windows, with overgrown plants creeping through the cracks. Smoke drifts upwards from a cigarette in the figure's hand, illuminated by contrasting red and blue lights that create an intense and cinematic atmosphere. The ground is littered with debris, adding to the gritty urban aesthetic. The scene conveys a mix of solitude, defiance, and raw emotion."

A photorealistic scene of a tree growing in the center of an abandoned brutalist building, but the tree's branches extend into multiple parallel timelines simultaneously - blossoming in spring, bearing fruit in summer, dropping golden leaves in fall, and bare in winter - all coexisting in the same space with distinct atmospheric conditions in each quadrant.

a professional photo of a exceptionally beautiful girl in the world (age 11), (eleven year old) vampire, in a highly detailed, futuristic, (futuristic), (masterpiece), (realistic), (perfect by age anatomy), (Full body), (facing the viewer), (viewing from head to feet) with extremely long light brown curly hair, beautifully flawless olive skin, thick black eye liner blue eye shadow, extra long eye lashes, light pink blush, extremely beautifully shaped lips with light pink lipstick, blue eye shadow, perfectly flawless olive skin, beautiful perfect high cheekbones beautiful perfect high cheekbones extremely detailed large perfectly shaped beautiful brilliant Forest Tea blue-brown-golden-grey eyes, (dressed in the style of a 13th century lace sleeping gown), (Ancient, abandoned, over grown castle) high depth of field, gentle expression, 8k, (high res), ultra-detailed, photo-realistic, full image view, full body view, front view, highly detailed, volumetric, dramatic lighting

“Hyperrealistic miniature corn mage, knee-high, standing in a misty field at dawn, surrounded by withered corn stalks. His face is formed entirely from the natural structure of an ancient ear of maize — golden-yellow kernels weathered to amber, some missing or cracked, husk leaves dry and frayed like tattered robes. His eyes are large, deep-set, and intensely human — dark brown irises with soft white highlights, framed by thick, furrowed brows formed by the natural ridges of the cob. His mouth is a subtle, firm line suggested by a gentle crease between kernels, conveying quiet wisdom and weary power. He wears layered robes of dried corn husks and burlap, stained with soil, ash, and herbal stains, cinched with a belt of braided roots. On his head: a ceremonial iron circlet — rusted, thin, wrapped in faded silk cords — resting gently over his husk crown. In his hands, he cradles a glowing seed pod pulsing with soft amber light. Mist curls around his feet; dew clings to every fiber. Background: abandoned cornfield, broken scarecrow, distant storm clouds, golden light piercing through fog. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated golden-hour lighting, ultra-detailed textures (kernel pores, husk fibers, rust flakes, mud splatter, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

Spider-Man in an epic battle against a massive Snake Monster in a dark, urban setting. The scene is set in an abandoned warehouse, with dim, dramatic lighting and shadows stretching across the floor. Spider-Man is in mid-air, swinging with his web-shooters aimed at the monster. The Snake Monster is enormous, with shimmering, reptilian scales and glowing eyes. Its long, coiling body is half-wrapped around a pillar, and its venomous fangs are bared. Spider-Man’s suit is in full detail, with his signature red and blue design, and his posture shows agility and determination. The monster’s tail is swiping through the air, creating a sense of motion and danger. The environment has broken crates and debris, adding to the chaotic feel of the battle. The lighting casts a dramatic glow on Spider-Man’s face, highlighting his focus as he faces the formidable beast.

An oil painting in the style of William Balshon depicting the interior structure and detail of an abandoned medieval church tower, looking out through broken windows at birds perched on top roof tiles, a few crows sit in front on the floor of the stone walls. --v 5.2 --ar 25:32

footage pic of Batman from a criminal's point of view, in an abandoned asylum, standing in a dark shadow between two walls, barely visable, tall, vampirical, dark, night, raining, horror, nightmare, scary, pitch black

A portrait image of a young, skinny woman with small breasts, dressed in a trendy jeans crop top and leather jacket, gracefully posing amidst the desolation of a dystopic environment filled with abandoned cars and overgrown vegetation. The photograph showcases her ultra-realistic features under soft diffused lighting that brings out every intricate detail. <lora:PostApocalypticV1:1>

an abandoned creepy dark library, extremely photorealistic, intricate, cinematic, hyperdetailed --q 2

dark sci-fi, militaristic gothic style, a lone soldier with an ornate helmet holding a rifle, minimalist cinematography, full body view, zoom lens photography, 70mm, rusted firearm in foreground, abandoned fortifications in background, war-torn city environment

(masterpiece Illustration, best quality:1.2) style of Edwin Deakin, Ruins of a (Lost Temple of Poseidon:1.1), (Greek Architecture), Underwater , bottom of Ocean, (Lost city of Atlantis:1.2), Ancient, Abandoned, Ethereal, mystical, haunted, overgrown coral, Sunrays from surface, Scattered Light, Cinematic Scene, Atmospheric , Volumetric lighting, deep shadows, water, Sea Life, Fish, Trident Statue, bokeh , depth of field, ray tracing, <lora:epiNoiseoffset_v2:1> , <lora:add_detail:1>, 16k, UHD, HDR,(Masterpiece:1.5),(best quality:1.5)

night view of an avenue with trees and buildings, siberian city, abandoned in 1950, illuminated only by moonlight, snowy ground, show two long-abandoned cars, photo, digital art, fantasy --v 5.2 --s 100