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نتائج "grounds"

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“grounds”

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Stylized 3D Cgi Character Ai Image Prompt - PromptsForYou
Premium Stylized 3D CGI Character AI Prompt - PromptsForYou
أمر بطل: تحويل الشخص المُصور إلى مجسم ثلاثي الأبعاد واقعي... - Hero
Ideogram prompt: Mr. J. C. Bloomfield (image 1) create an irish si... - Ideogram

Mr. J. C. Bloomfield (image 1) create an irish simple image about the following: EXTRAORDINARY SCENE AT BELLEEK. (November 1892) Abducting a Wife. Would not go to Mass or Live with her Husband—He says She is Insane; the Magistrates say she is not. A case of much local interest came before Messrs. Maloney, R.M., Tredennick and D. Johnston, the Magistrates who presided at Belleek Petty Sessions on Tuesday, when Mrs. John M'Goldrick, Ballymagahran (Castlecaldwell) was brought up in custody of the police charged on a warrant sworn by her husband that she, “has been discovered and apprehended at Ballymagahan under circumstances denoting a derangement of mind and a purpose of committing an indictable crime, that is to say—she has repeatedly threatened to take her life by drowning and being violent; she took up a stool in her hands and raised it in a threatening manner as if going to strike informant, John M'Goldrick, with it.” Mrs. M'Goldrick was a light little woman about 60 years of age, neat and clean in her person, and her husband was about the same age—a small farmer. M'Goldrick being sworn deposed to the truth of the information. Mr. J. C. Bloomfield—I appear as the friend of this poor woman, and if the application be granted it would be an outrage against civil and religious liberty. Some weeks since THE R. C. CURATE OF BELLEEK CAME to see the poor woman at my house, and during the conversation said the woman must be mad when she would not go home and to her religious duty, upon which I wrote to the Canon a letter which is in the hands of my solicitor. Later I was informed by my wife that he had told her the Parish Priest, Canon M'Kenna, insisted on her going to her duty or that she would be sent to the asylum. Later on the Canon himself appeared with another curate and the husband at the door of my house and made a great demonstration, threatening the woman that she should be placed in the asylum if she did not attend her duties and go home. She then declared to him she would not. I endeavoured to make the priest understand this—as I had previously in my first letter, that the Inquisition was not yet established—that it was yet no crime to refuse to go to her duties, nor a fault anything with his confinement in a lunatic asylum. He left in a rage, and I subsequently wrote to him another letter, the copy also now in the hands of my solicitor, who being engaged at Enniskillen Quarter Sessions, cannot be here. About two years since John M'Goldrick came to me and endeavoured to persuade me to be a party to commit his wife as a dangerous lunatic. Upon enquiring I found that this was A CONSPIRACY TO DEPRIVE THE WOMAN OF HER LIBERTY. because she would not attend to her religious duties. I also found the whole family were parties to her incarceration. The poor woman from the persecution she underwent had run from her home and for some time was absent, but I found by the police acting as a servant in a farmer's in Co. Tyrone. On or about the 6th November, ’90, she fled into my house for protection and there remained for two years, all but a few days, and acted in the most exemplary way. On Wednesday I was in Enniskillen, and on my return by the late train I found that the poor woman had been abducted by a party of men while my family including Sir Fenton Hart, were at dinner, and I was yesterday informed that the husband had sworn an affidavit and obtained a warrant to bring her before the magistrates as dangerous lunatic. I hereby swear that such an information is absolutely false, and that a more correct, well-behaved woman never lived in our house, and quite ready to receive her back and go bail for her conduct. Should this warrant during abduction and false information succeed in its purpose, the result will be a calamitous exhibition—a state of things utterly unconstitutional and subversive of civil and religious liberty. Mr. Maloney (to M'Goldrick)—On what grounds do you make your application? The applicant made a brief statement embodying the facts that his wife left him five years ago, and at length he discovered her whereabouts and brought her home, and she had threatened to destroy herself, and then went away from him. Mr. Maloney (to Mrs. M'Goldrick)—Are you suffering from any illness? Mrs. M'Goldrick—No sir; I gave myself up to Mr. Bloomfield, and I will live where I am. Husband—And not stop with me. Wife—No, nor I never threatened to drown myself. Mr. Bloomfield again gave testimony to the woman's exemplary conduct, and stated that when she was abducted Dr. Stephens was sent for and the priest, and he believed they said the woman was mad. He could prove it, and if pressed will prove it a false accusation and THEY ARE LIABLE TO A TRIAL FOR BIGAMY. The man in his affidavit says, “For the last three years I have noticed my wife,” whereas the woman has been in my house for the past two. Husband—You were in Dublin, and I was watching outside. Mr. Maloney (to Husband)—What do you want to put her in an asylum for?—If we leave the house this woman may drown herself. Mr. Bloomfield—Then why do you take her from us?—Why did your wife bring her to your house? Sgt. Greer said he knew the woman for the past six months and did not consider her insane, or that she had anything wrong with her. Mr. Maloney (to Mrs. M'Goldrick)—Are you willing to go back to Mr. Bloomfield?—Yes, sir, I will go back to-night. Did your husband ask you to go back and live with him?—Yes, and I would not go. Mr. M'Hugh, who was in court, here became infuriating and chipping about declaring very Sotto voce that “it was scandalous.” M'Goldrick said the woman had run away from Mr. Bloomfield, who had to get men and dogs out to hunt the deserter for her. Mr. Bloomfield—This is false. But is it not to be wondered at, that a woman would threaten to drown herself because of your bad treatment of her for refusing to go to her duties. Dr. Stephens here volunteered evidence and asked to be sworn, he declared the woman was insane and should be sent to an asylum. In reply to Mr. Bloomfield witness admitted it was four years since he examined her, and two years of the time since she had been in Mr. Bloomfield's. He only saw her once since. MR. M'HUGH IN EVIDENCE. Mr. M'Hugh again exhibited alarming symptoms of excitement. He picked up a law book, and placing a new pair of pince nez on his nose tried to read, but the being up to those fashionable contrivances, the glasses came off; then when he held them his hand shook so much he laid down the book and declared “it was poisonous.” Mr. Tredennick accused Mr. M'Hugh's interference, ordered him to keep quiet, and District Inspector Toppers gave him a caution. Mr. Maloney at length attended by the scene, asked him what he wanted. Mr. M'Hugh declared it was insane if Mr. Bloomfield should be permitted to take away this man's wife. Mr. Bloomfield—I never did—never interfered. Mr. M'Hugh again pranced about, and Mr. Toppers again had to snub him. Mr. Tredennick—Why is Mr. M'Hugh speaking or interfering? Is he a witness? Mr. Maloney—My curiosity was aroused by conduct and I asked the question. Mr. M'Hugh said he was not anxious to be examined, but immediately proceeded to make a long statement. He was however stopped and swore, and he then said he met Canon M'Kenna at Castlecaldwell, and from his conversation with him sent an order to Dr. Stephens to come out and examine her, as it was commonly reported the woman was a dangerous lunatic. The man and husband also said she was dangerous—and I may tell you that I would not allow any man in Ireland to interfere with my wife. The fact of the woman leaving her husband was proof enough that THERE WAS SOMETHING RADICALLY WRONG. Mr. Bloomfield—During the two years she has been in Blen-na-lung do you know anything about her?—No. If the man was anxious to have his wife living at home with him why did he swear an affidavit to put her in an asylum? Mr. M'Hugh would not answer this question but poured forth a torrent of words in which could only be distinguished something about “because she stopped in a certain place,” “she would not stop with her husband,” “if Mr. Bloomfield dared to keep my wife,” &c. During the time this jargon was uttered Mr. Maloney looked on smilingly, whilst Mr. Tredennick, who had evidently less time to spare, was annoyed. At length he finished and Mr. Bloomfield remarked—“A magnificent specimen of declamation.” NEW WITNESS. Mr. Tredennick asked had Dr. Stephens sworn an information. Dr. Stephens said not, but he was prepared to do so, and state the grounds for his declaring the woman insane. He saw her on Sunday for the first time in the past two years. Upon your single visit you find she is a dangerous lunatic?—And knowing her previous history, but I did not take into consideration the time she was in your house. Mr. Tredennick—Would it not be possible that a person would be insane and recover since?—They might be insane for only a day and recover. Mr. Bloomfield—Not one woman in a hundred would have experienced the treatment she did, and not go insane. Mr. Maloney then examined the woman and she said she would not go back to her husband. Asked why she would not go back, she said she knew herself, and she would not listen to his wrong talk. She gave herself up to Mr. Bloomfield as she wanted to get peace, and her husband was trying to make her out of her mind. Why could not he leave her alone and give her liberty to earn her living as she had done and was able to do, and she did not want a half-penny from him. HUSBAND WANTS HER TO GO BACK. Have you got children, and why will you not go back to them?—They gave me bad usage and I will take an oath I will not stand on his floor again. I have two hands and I will earn my living if they leave me alone. Asked further questions about the children, the woman answered all well and intelligently. In reply to Mr. Maloney Mr. Bloomfield repeated his statement, that during the past two years the woman had always been quiet save when she dwelt upon the way she had been treated by her husband and family. Mr. M'Hugh here called M'Goldrick aside and told him quietly (so that the bench would not hear) to dare the magistrates to send her home with Mr. Bloomfield, and M'Goldrick at once called this out, that the woman was his wife. Mr. Bloomfield asked for the protection of the court, he had not interfered with the pair; the woman came to him, and he was in the midst of the greatest nest of ruffians. The magistrates unanimously made the following order—‘Defendant to be discharged from custody, being satisfied she is not insane.’ Mr. Bloomfield asked for protection for the woman. The country was a free one, and she should be able to go where she liked. Mrs. M'Goldrick—I will give myself up to Mr. Bloomfield. Mr. Bloomfield said that if she was interfered with he would take the case up in another way. Mr. M'Hugh attempted to make some remarks but was not attended to, and finally silenced, and the woman was taken down to Johnston's hotel.

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Ideogram
Amidst the Grounds - DALL·E

A hyper-realistic image that reflects extreme etherealism. The image exudes the essence of a classic high-fantasy setting, with a breathtaking, ethereal beauty that captivates the viewer. Dominating the foreground is a majestic sword, plunged into the earth, gleaming with intricate gold accents on the hilt. The sword seems ancient, as if waiting for a hero to claim it, its polished blade reflecting the serene environment around it. Standing tall, it acts as both a symbol of power and mystery in this vast, enchanting landscape. Surrounding the sword is a meadow bathed in sunlight, a kaleidoscope of wildflowers in bloom. Delicate hues of pink, violet, and gold blanket the rolling hills, which gently slope down towards a crystal-clear stream. Small patches of vibrant green moss cling to the rocks, and the air feels fresh and fragrant with the scent of nature. In the distance, towering mountains rise towards the heavens, crowned by a castle perched atop a high cliff. The fortress seems to float between the clouds and the earth, its stone walls glowing in the golden afternoon light, radiating a sense of ancient grandeur and timeless magic. The skies above are bright blue, with fluffy clouds drifting lazily, adding to the ethereal, dreamlike quality of the scene. The entire image is a masterpiece of gradient realism, blending the vivid details of the natural world with an almost otherworldly, mythic aura. It evokes awe and wonder, as though this tranquil, sacred place holds the key to untold stories and legendary adventures waiting to unfold.

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DALL·E
FLUX prompt: First person POV, the male pale hands grip the rei... - FLUX
FLUX prompt: A beautiful, elegant girl from Taiwan. Facial feat... - FLUX

A beautiful, elegant girl from Taiwan. Facial features and features: Face shape: Oval, small, with soft contours. Facial features: Large eyes, distinct black and white, with slightly upturned corners. A well-defined nose and a small mouth. Expression: Smiling, sweet. Skin tone: Fair and translucent. Makeup: Fresh and natural. Hairstyle: Long, straight black bangs. Build: 170cm tall, slender. Top (tank top): Design: A light blue tank top. Features: The top is decorated with ruffles, creating a suspender-style design that creates a romantic, layered look. The main fabric is a light chiffon or tulle with a gradient or ink painting-like smudging effect. Highlights: Irregular long ruffles or fabric ribbons extending from the waist or sides add a dynamic aesthetic and a touch of design. Bottoms (Skirt/Deconstructed Denim): Design: A light-wash denim skirt with a deconstructed design. Features: The low-rise, irregularly cut denim skirt adds an industrial and layered feel. The denim fabric has a natural faded gradient. Shoes and Accessories: Shoes: Paired with a pair of aqua blue and white platform sneakers and aqua blue socks. Bag: A white mini square bag with a curved flap, creating a lovely, harmonious look that complements the overall color scheme. Setting: Taitung Brown Avenue, Takeshi Kaneshiro Tree. The overall setting is realistic, with the characters portrayed in a hyper-realistic style. The footage is high-definition 4K, with bright and layered lighting and rich, vibrant colors, creating the refined imagery of high-end photography. Visual Tone: The images are rich in color, and the scenes are visually impactful. The shots should capture the diverse and grand backgrounds, with detailed and vivid background elements to create an immersive experience.

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FLUX
FLUX prompt: Design a modern, tech-forward logo for a SaaS star... - FLUX
Stable Diffusion prompt: A surreal, atmospheric photo of a woman in a gothi... - Stable Diffusion
Nano Banana prompt: Transforming the photographed person into a realis... - Nano Banana
Nano Banana prompt: Transforming the photographed person into a realis... - Nano Banana
Seedream 5 prompt: My name is Quentin Azur and I'm aged 19 I'm french... - Seedream 5

My name is Quentin Azur and I'm aged 19 I'm french and orphan and codenamed Angel my appearance is short disheveled brown hair and brown eyes and I am dressed in my black mouth mask and dark blue flak bulletproof vest with three mags on front and short sleeved blue armoured jacket with on right shoulder the GIGN patch and on the left the French flag patch my dad gave me and black jeans and black knee high flat boots laced up and short black fingerless rider gloves and i have a famas f2 with ACOG sight and R8 revolver and two frag grenades in my belt yet i have no special gadget like the others and I'm a recruit for the French GIGN. but right now the team being Glaz, IQ, Twitch, Fuze are outside a house where we got told that there is a hostage inside but don't know how many terrorists are inside and i wait for IQ command and when i place the breach charge ready on the front door we all duck and IQ nods and i detonate it making two terrorists crumble and we move in quickly guns up and i motion to IQ and Twitch to go with them at the top floor whilst Glaz and Fuze finish downstairs and we spilt up and i look inside a room only to be contacted and i get shot in my right shoulder and i stumble backwards painfully andi whimper yelling Contact Merde!!! I Wait for help and a terrorist looms over me and kicks my famas and revolver and two grenades away and points his shotgun at my head ordering me to be quiet and i clutch my shoulder waiting until five other terrorists join him and they split up to find IQ and Twitch but two of them get stealth killed with knifes and hands to their mouths from behind by IQ and Twitch. Write me a very long long story in first person of Quentin pov and with great description and medium length dialogue in the rainbow six siege universe and in medical bay when I'm getting patched up by Doc tying a bandage and it makes my right shoulder stiff and i have to be careful when i lift it and the hostage named Mina aged 28 and IQ is sat next to her on the medical bed rubbing her shoulder and my team tells me i should start designing a concept for my gadget as i can't always use boring grenades and i tell them i need help to make it linked to Angel and i wait for them to give me ideas yet i do it all by myself and i do a short presentation of it and it's a backpack with black with white tips retractable bulletproof wings with GIGN written inside the wings thet deploy to defend my back and when deployed it can stop each side in tight corridors and I show it to every operators from team rainbow and Dr Harry his chin resting on his steepled fingers in the assembly hall and when I've finished all is still and i get embarrassed and start to pack up before all the GIGN start clapping and cheering me on and Doc screaming that's my boy as he adopted me and Montagne deep voice is saying I helped him with the shield idea and it's true and i feel at home again and then later at 9.45 pm outside the base i go to the training grounds and place a photo of the dark red skull masked figure who assassinate my parents and i pull out my revolver and lift it yet i don't shoot as i notice a small detail and i holster it and approach the photo to spot behind the mask is long dark amber hair and blue female eyes glinting and i was about to inform Twitch when someone places a hand on my uninjured shoulder and i pull out my revolver and twist round to aim it at Twitch before i stop breathing heavily shocked amd telling her not to scare me like that ever again and she notices my surprised face and she crosses her arms asking me what did i found out and i show her the picture and tell her. Write me a bio of me and how i lost my parents to a terrorist attack at 12 and i have no siblings as I'm the only child and my new parents are Twitch and Doc and notes from other operators with positive feedback and some have negative feedback and some fifty fifty feedback and do a part from Harry about me and add a badass quote from me and how I'm ready f

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Seedream 5
Seedream 5 prompt: { "prompt": "A Dark Deco illustration in the uni... - Seedream 5

{ "prompt": "A Dark Deco illustration in the unique visual style of 'Batman: The Animated Series' (1992), rendered with traditional animation techniques on dark backgrounds, using profound chiaroscuro. The scene is a dramatic, low-angle first-person perspective from the cockpit or hood of a dark, stylized sports car in Gotham City. The large, intricate, multi-eyed carbon-fiber helmet (matching image_2.png and image_3.png) is prominent on the right, cast in deep shadows with sharp, selective highlights from a nearby neon sign, emphasizing its texture and golden rivets. The deep, blackish-carbon weave is incredibly detailed. The green car body panel on the left is a dark, inky emerald. In front, on a rain-slicked Gotham street reflecting the city lights, are the two distant sports cars: the leading dark-emerald Pagani-esque car, and the deep maroon car behind it, both with heavy, blocky, retro-futuristic Art Deco styling. The road surface is wet, with puddles reflecting a mix of red, blue, and yellow neon from surrounding buildings. Above, towering Gotham Art Deco skyscrapers with geometric forms, spires, and a distinct gargoyle on a ledge form a massive architectural canyon. A GCPD blimp (dirigible) with searchlights is visible in the inky-black sky. The color palette is dark, with deep blacks, indigos, maroons, and emeralds, punctuated by sharp bursts of neon and a distant, faint yellow Bat-Signal. The lines are bold and graphic. Every shadow is incredibly deep, creating a noir and threatening atmosphere. The foreground helmet has reflections of a neon sign that says 'KODAK' (C-O-D-A-K) in stylized script.", "negative_prompt": "photo-realistic, bright daylight, soft shadows, modern architecture, smooth texture, smiling people, clean and simple lines, 3D render, generic city, no depth of shadow, white background, detailed modern carbon fiber patterns (must be stylized to fit the 1990s animation style)." }

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Seedream 5
Midjourney prompt: A fantastical landscape where the sky is alive wit... - Midjourney
Nano Banana prompt: Transforming the photographed person into a realis... - Nano Banana
FLUX prompt: First person POV, the Sultan’s hands grip the rein... - FLUX
Nano Banana prompt: Transforming the photographed person into a realis... - Nano Banana
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