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FACE IDENTITY CONSERVATION
Use only the uploaded photograph as the reference for the baby's face. Replicate the exact facial structure—head shape, proportions, eye spacing, eyelids, eyebrows, nose, lips, cheeks, jawline, skin tone, natural texture, symmetry, hairline, apparent age, and genuine expression—without any beautification, stylization, aging, or alteration. The resulting picture must display the same baby with an unmistakably unchanged face.
SCENE CONSTRUCTION
Render a highly realistic vertical composition (9:16) that mimics an overhead flat‑lay baby photoshoot inspired by the supplied visual layout. The setting should appear as a genuine studio capture, not an illustration.
COMPOSITION LAYOUT
Place a pristine white cotton fabric as the background, viewed directly from above. Position the infant in the lower‑middle area, angled so the head points toward the upper‑right and the legs extend toward the lower‑left. Above the baby, create two large full‑body floral figures: Krishna on the left and Radha on the right, built entirely from densely packed orange, white, red, and yellow petals. Their hands meet at the center, forming a unified Janmashtami motif while remaining distinct from the baby.
POSE AND EXPRESSION
Set the baby in a comfortable seated/reclining posture with the torso slightly lifted and legs relaxed toward the lower‑left. The child should display a cheerful, innocent look and gaze straight up at the overhead camera. One hand holds a small traditional golden‑brown flute vertically beside the body; the other hand rests gently near the torso. All infant anatomy—hands, fingers, feet, proportions—must be true to life.
APPAREL DETAILS
Dress the infant in a yellow dhoti reminiscent of Krishna, featuring rich green borders and fine gold embroidery. Add a green‑and‑gold waist belt, pearl necklaces, tiny gold bracelets, armlets, anklets, and subtle Krishna‑style jewelry. Crown the head with an ornate golden mukut adorned with colorful stones and a single prominent peacock feather. Apply a modest traditional tilak on the forehead, ensuring the facial identity stays intact.
FLORAL KRISHNA & RADHA ARTWORK
Construct Krishna's figure primarily from orange marigold petals, using white blossoms for necklaces and facial accents and deep red petals for the waist sash. Depict him standing and playing the flute. Build Radha's silhouette with deep red and burgundy petals, accented by white and orange borders, a flowing veil, and floral‑styled jewelry. Their extended hands should converge centrally.
JANMASHTAMI DECORATIONS
Scatter individual marigold petals, tiny white blooms, red flowers, and small flower clusters across the white fabric. Arrange real peacock feathers along the left and right margins, showcasing their vivid blue‑green eye patterns. Keep the decorative elements balanced so they frame the central scene without overpowering it.
PROPS: MATKI
Position a traditionally decorated clay matki filled with thick white butter in the lower‑left corner near the baby. The pot should display a deep brown terracotta body with white floral trim around its rim and lower section, visibly overflowing creamy butter, and a few stray petals surrounding it. The infant’s flute must be proportionate and held naturally.
TYPOGRAPHY
Form the phrase “HAPPY JANMASHTAMI” at the bottom using densely arranged flower petals: “HAPPY” in warm orange/yellow petals and “JANMASHTAMI” in deep red petals. Ensure the lettering is clear, evenly spaced, and physically built from real petals, with a subtle floral border beneath.
LIGHTING
Employ soft, bright, evenly diffused overhead studio lighting that illuminates the baby, floral sculptures, feathers, matki, jewelry, and fabric uniformly, avoiding harsh shadows. Preserve natural skin tones, true petal colors, gentle dimensional shadows under objects, and a high‑key photographic feel.
CAMERA SETTINGS
Mount a professional full‑frame camera directly overhead at a true 90° angle. Use a moderate portrait lens that minimizes wide‑angle distortion. Capture the entire arrangement within the vertical frame—from the upper floral artwork through the baby and matki down to the petal lettering—maintaining precise visual balance and central alignment.
PHOTOREALISM
All elements must appear as tangible, photographed objects with authentic textures and materials.